A Curatorial Note: A Place Called Home
How I wish the lady in red look back and wink to the audience. Any subtle gestural movement will make it interesting. This thought run in my mind back in 2002 when I stand and contemplated upon Hoessein Enas’s Memetik Daun Tembakau. Hoessein Enas's Memetik Daun Tembakau Then in 2008, when I flipped Susurmasa’s catalog, Zabas wrote something that strikes me - Art history, production and experience that we want to conceive significantly must be approached broadly, taking into consideration whatever could be related to and connected with them (audience) – wherever possible [1] . The audience and the artwork must be connected, just like how we line up for cinema tickets, popcorn and transported from the grim reality to the celluloid fantasy for good one hour or two. Looking back it can be same reason or motivation why we attend any “ART” exhibition. The problem is, we don’t pay anything to attend an art exhibit, but we...